Sunday, February 26, 2017
The gods must have heard my prayer. Tonight's episode of The Walking Dead, “Hostiles and Calamities,” takes a break from the hatchet-faced military strategizing and obligatory slicing and dicing that's lately dominated the show to look at Negan's (Jeffrey Dean Morgan) Sanctuary, that Dantean dystopia with an Orwellian name. The death count isn't quite zero in this episode, but Dr. Carson's (R. Keith Harris) Holocaust-evoking demise feels anything but titillating or gratuitous. And, for the first time I can remember, not a single walker is whacked, though one does lose its bottom half, along with some gooey innards, as part of its slow slide toward total disintegration.
Sunday, February 19, 2017
Rick (Andrew Lincoln) is still uncharacteristically happy in “New Best Friend,” thanks to the group that he ran into at the end of last week's episode and forms an alliance with this week—and he hasn't even been told yet about the seaside community that Tara (Ma Masterson) encountered during her last supply run. Yet, even by the standards of The Walking Dead (whose characters often speak in aphorisms, if they say anything at all), this new group is theatrically taciturn. It's as if their response to the end of the world had been to devolve rapidly, losing the power of speech in the process. Their leader, Jadis (Pollyanna McIntosh), talks, like The Road Warrior's Lord Humungus, in the clipped monosyllables of a toddler, ordering a follower to escort Rick to the top of the trash pile by saying: “Show Rick up-up-up.”
Sunday, February 12, 2017
If The Walking Dead were a boxer, it'd be hit-like-a-hammer George Foreman, not float-like-a-butterfly Muhammed Ali, so the sly head-fake that opens “Rock in the Road” comes as a welcome surprise, throwing us effectively off balance. The episode starts where the midseason finale left off: outside at night in Alexandria with Father Gabriel (Seth Gilliam) just after an as-yet-unidentified stranger, whose face we've yet to see, leaps down from the wall where he or she was spying on him. The ominous memory of that mystery stalker—not to mention the show's penchant for blowing up any post-apocalyptic community that starts to feel safe or stable—primes us for mayhem, as Gabriel finishes pondering a passage in his Bible and heads into the supply room. So when the camera lags behind him as he rounds a corner, the sudden clatter registers as the sounds of a struggle until the camera catches up and Gabriel is seen loading up on canned goods and tools that could double as weapons, which he then puts in the trunk of a car that he drives off into the night.
Thursday, February 9, 2017
The rest of television has caught up so fast with Girls that it's hard to remember how refreshingly truthful and new the show felt when it premiered, to great success and much backlash, in 2012. Lena Dunham's observant series, the first to be both by and about young women navigating that awkward stage between the end of college and the beginning of adulthood, paved the way for other auteur-driven TV programs—like Donald Glover's Atlanta, Issa Rae's Insecure, and Rachel Bloom's Crazy Ex-Girlfriend—that provide a deep-dive view of a small cohort of people and the subculture they inhabit.