Like its title character, sweet-natured, straight-shooting romance novelist wannabe Jane Villanueva (Gina Rodriguez),
Jane the Virgin has a lot more going on than a casual observer is likely to give it credit for. That it has roots in Latin American culture is just one of many refreshing and distinctive things about a series that gleefully explores and explodes stereotypes about female sexuality. This season, Jane finally lost her virginity in a scene that was wonderfully anticlimactic, as she learned that having sex isn’t synonymous with having orgasms—and that the importance of a woman’s virginity may be a tad overrated. The college degree Jane is pursing this season in creative writing and her telenovela-star father’s (Jaime Camil) attempts to break through to an American audience provide more outlets for the show’s running dialogue on how to write an entertaining yet truthful story, which winkingly refers to the melodramatic elements—including drug lords, love triangles, and long-lost twins—that help make Jane the Virgin’s undidactic messages go down so easily.
Written for Slant Magazine
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